Review: "Murderland," Caroline Fraser

There were 669 serial killers at large in the 1990s in the U.S. The number dropped to 371 in the 2000s, and to 117 from 2010-2020.

Could stricter environmental regulations be the reason?

Gasoline used in cars contained lead from the 1920s until 1996, when it was banned. Lead-based paint wasn’t recognized as a threat to children’s health until the 1970s; it was outlawed in 1978.

Meanwhile, throughout most of the 20th century, industrial smelters spewed lead, arsenic, copper and other toxins into the skies of numerous cities, including Tacoma, Washington—where Ted Bundy grew up.

He’s not the only serial killer the Pacific Northwest has produced.

Is there a connection?

Caroline Fraser makes a strong case for one in “Murderland,” an astonishing mélange of scientific data, true crime, memoir and sociological analysis.

Fraser grew up on Mercer Island, in the Seattle Metro area. She was born in 1961 into a dysfunctional family and weaves the bizarre and sometimes frightening events of the latter half of the 20th century into her narrative.

As I grew up in the same period, I vividly remember the assassinations of John F. Kennedy, Martin Luther King, Jr. and Robert F. Kennedy; the Manson murders; Chappaquiddick; Patty Hearst; and Three Mile Island. 

It did feel sometimes like the world was spinning out of control.

In Fraser’s own back yard, the Lacey V. Murrow Floating Bridge (connecting Seattle and Mercer Island) provides another backdrop of confusion and death. It was the scene of frequent bizarre accidents until it finally sank in 1990.

Fraser paints a horrifying picture of the pollution she believes contributed to the derangement of serial killers like Bundy, Israel Keyes, Richard Ramirez (the Night Stalker), Gary Ridgway (the Green River Killer) and Randy Woodfield (the I-5 Killer). The smell of Washington state’s third most populous city was known as “the aroma of Tacoma.” Fraser writes. “Gardens fail; crops die; bees die. Strange spots appear on the laundry hung out to dry on the line.” Ash from the smelter falls onto the streets; children develop breathing problems.

Workers got sick, had disfiguring accidents. It’s not easy reading—it is compelling reading.

Then there are the serial killers and their unspeakable crimes. Sometimes, when I’m watching a crime drama that features a lunatic torturer, I think, “Really?” Well, yes. Really. Again, not easy reading.

And yet, I was glued to the pages of this book. Fraser is a fine writer, and she is angry about a lot of things—the toxins, the Rockefellers and Guggenheims who financed the industries, her father…the list goes on. But the book is not a rant. It is well-researched, passionate and even poetic at times. 

I wondered about my well-being when I was about in the middle of “Murderland,” when the dismembered body parts (both murder victims and smelter workers) were piling up. Maybe I really needed to be reading a cozy mystery set in a quaint Southern town with a fabulous bookstore.

Nah. “Murderland” was worth the angst. Besides, I needed to see Bundy executed, and the smelters shut down.